Bo Diddley, Muddy Waters, Little Walter — Super Blues

Super Blues Front Cover
Super Blues Front Cover, including evidence that I overpaid for a record that I really don’t care about.

I think I’ve said before, my first visit to Siren Records in Doylestown, PA, yielded a treasure trove of blues. HIstorically, used record stores have not done well with the blues, offering battered B.B. King records someone’s grandmother liked, albums that are only blues-adjacent, or some weak compilations/greatest hits. I don’t blame them – they don’t stock it because no one buys it. Why the basis for nearly all popular music in the past 6-7 decades goes unappreciated is a colossal mystery to me, but so it goes.

On a return visit to Siren in late 2020, I found a few additional blues records I wanted, so I wasn’t unpleased. I added this one from 1967 to the pile even though it had a “super group” vibe (I mean, the name) and the songs seemed . . . well, they’ve been done before. I’m not a big Bo Diddley fan – there are beats that aren’t the Bo Diddley beat – but I figured with Muddy and Little Walter, what could go wrong?

Eh. It’s sub-great. It’s fine, but nearly every blues record I own is better. There’s three Bo Diddley songs in a row, and like Chuck Berry songs, they can be a little difficult to distinguish musically. They cover three great Willie Dixon songs but still there’s something lacking. I can’t even say it’s poorly produced, as Ralph Bass is credited and he’s all over some of my absolute favorite blues records. But . . . it just doesn’t click. I had a hard time even decided which artist to file it under, since on vinyl I don’t have independent records by any of them. So I decided I was most likely to remember Muddy was on it (even though it was Bo who kinda killed the vibe for me), and filed it under M for Muddy Waters.

Ah, well, they can’t all be gems.

Oh, and the back cover “story” about using Bo, Muddy and Walter to end the Viet Nam war? Ugh.

Super Blues back cover
Super Blues back cover
Do like the label though
Do like the label though – this is an Italian reissue from 1981.

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