Firesign Theatre — Waiting For The Electrician or Someone Like Him
It had been my intent to go through my records in pretty much the same order I file them, meaning that some things — most soundtracks, classical, and comedy — would come at the...
Ramblings about My Records
It had been my intent to go through my records in pretty much the same order I file them, meaning that some things — most soundtracks, classical, and comedy — would come at the...
This is a new delight. Just got it this winter, courtesy of Phoenixville’s Forever Changes (on Instagram: @foreverchanges), back when going places and seeing people was a normal thing. (Deep sigh for how much...
This is the second album by The Electric Prunes, released in August 1967, just six months after their first album came out. This one is much more the work of the band and is...
The Electric Prunes was a band that, when I first learned they existed, I just thought was a cool dumb joke, a name meant to sound extreme and psychedelic (see also: Ultimate Spinach). I...
So, how does it come to be that I come from the ’70s, and that I come from a love of the blues, and yet, until the last couple of years, never had any...
It’s funny that we commonly look down on collections, compared to works by single artists, and it’s true that they’re often a mess. K-Tel collections are just anything they could get a license to...
Here in the US, we were deprived of the phenomenon known as Northern Soul. It wasn’t even a phrase I was familiar with until I started reading about Soft Cell’s “Tainted Love” as being...
I was so excited by the little sampling of the Aynsley Dunbar Retaliation I heard on the Sire “History of the British Blues, Vol. 1” collection that at the same time as I ordered...
One of the revelations of the great Sire collection “History of British Blues (Volume One)” was several tracks by the Aynsley Dunbar Retaliation. I knew the name of one of the most famous drummers...
Things We Said Today